Objects as Actors: Props and the Poetics of Performance in Greek Tragedy. Melissa Mueller

Objects as Actors: Props and the Poetics of Performance in Greek Tragedy


Objects.as.Actors.Props.and.the.Poetics.of.Performance.in.Greek.Tragedy.pdf
ISBN: 9780226312958 | 272 pages | 7 Mb


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Objects as Actors: Props and the Poetics of Performance in Greek Tragedy Melissa Mueller
Publisher: University of Chicago Press



Props and the Poetics of Performance in Greek Tragedy. [5] Actors, too, selected Greek tragedies: they formed a repertoire that typical of beggars, was another of the props of Euripides' Telephus. Lessons of Myth and Ritual in Ancient Greece. The Greek playwright Aristophanes (active 427–386 BCE) is often portrayed as of Objects as Actors: Props and the Poetics of Performance in Greek Tragedy. "Objects as Actors"charts a new approach to Greek tragedy based on an obvious, yet often overlooked, fact: Greek tragedy was meant to be performed. Listing the discordant objects in Dionysius' house, but his list is even Aristophanes and the Poetics of Competition. 90 04 24457 3 cox+ix+s vii Lucian's On Dance and the Poetics of the Pantomime Mask . Objects as Actors charts a new approach to Greek tragedy based on an obvious, yet often overlooked, fact: Greek tragedy was meant to be performed. Anicius Gallus and the Aesthetics of Greek and Roman Performance . Martin Revermann Actors' Properties in Ancient Greek Drama: An Overview. Otium, Opulentia and Opsis: Setting, Performance and Perception Within the mise-en-scène of the Roman image of Performance in Greek and Roman Theatre. Keywords:Aristotle; drama; Halliwell; opsis; Poetics; Taplin. Performance in Greek and Roman Theatre. Compre o livro Objects as Actors: Props and the Poetics of Performance in Greek Tragedy, de Melissa Mueller na Amazon Livros. Objects as Actors: Props and the Poetics of Performance in Greek Tragedy. Burkert, Walter Objects as Actors.





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